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USC quarterback Dashboard Confessional John David Booty suffered a fractured

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USC quarterback surveys dashboard confessionals John David dasboard confessional conclude Booty suffered a fractured finger on his throwing hand during Saturday night's 24-23 loss to Stanford, setting up a potentially delicate decision for USC coaches this week. Booty, who threw four intercepted passes, said he was injured midway the second quarter when his finger hit another player's helmet after he completed a 31-yard pass to Patrick Turner that set up USC's first touchdown. Booty played the rest of the game and finished having completed 24 of 40 passes for 364 yards and two touchdowns. "We could have made a change but we went with our guy," Coach Pete Carroll said. Booty said coaches asked him if he was OK. "I want to compete I want to fight No way I was coming out of that game," he said. "Look at [Green Bay Packers quarterback Brett] Favre, look at those guys, they don't hardly ever play healthy so it's one thing you have to deal with. "Third-year sophomore Mark Sanchez did not play against the Cardinal, but he will probably get some first-team snaps in practice this week as Booty's condition is evaluated. "I'm playing," Booty said "I don't know what we're going to have to do to it. It's my plan to play and start every game. "Fans booed the Trojans as they left the field at halftime and early in the third quarter as the offense struggled. "Believe me, inside I was booing too. I was as frustrated as they were," Booty said. Turner caught nine passes for 83 yards, but he also dropped several. Asked what was problematic, Turner said, "I don't know. "Tight end Fred Davis caught five passes for a career-best 152 yards and a touchdown. Davis eclipsed his previous best of 124 yards set against Washington State on Sept. 22. USC redshirt freshman Zack Heberer started for the first time, replacing injured Chilo Rachal at right guard. Rachal suffered a sprained knee last week against Washington on the same play that center Kris O'Dowd suffered a torn knee ligament. Rachal is expected to miss at least two weeks. O'Dowd had surgery on Tuesday and hopes to return by the Oct 20 game at Notre Dame.

Senior Matt Spanos started at center. Cornerback Cary Harris, who was questionable because of a sore right shoulder, returned to the starting lineup after missing the Washington game. The halftime show featured the Stanford and USC bands trading insults with their performances. Stanford's program included slaps at Cal State Northridge, UC Riverside, UCLA, California and USC. USC's band, with help from alumni, then re-enacted "The Play" that ended the Stanford-California game in 1982. Stanford's win over USC is its first over a No Dashboard Confessional . 1-ranked team since the Cardinal beat Notre Dame in South Bend, Ind. , 36-31, on Oct 6, 1990 dashboard confesional . This was also Stanford's first win over a top-five team since it beat Texas, 27-24, at Stanford Stadium on Sept dashbord confessional . 26, 2000. Stanford's junior defensive end, Pannel Egboh, had his first career blocked kick when he swatted away David Buehler's extra point attempt in the second quarter dashboard . Egboh, 6 feet 6 and 275 pounds, also had a career-high 10 tackles. He tied his career high with 2. 5 tackles for loss. Tavita Pritchard, the emergency starting quarterback for Stanford, was frantically dialing a cell phone after the game. He was trying to call his father, David, who had been a starting center for Washington State and who played in the 1981 Holiday Bowl. "I haven't been able to get through to my dad," Pritchard said "This win is for him I'm beside myself.

I don't know what to do. "Pritchard's uncle also had some football success at Washington State -- his uncle is Jack Thompson, known as "The Throwin' Samoan. ""I think he'd be excited for me too," Pritchard said. --gary. kleindiane. pucin vindicated dashboard confessional . Steve Oedekerk, the writer and director of the animated comedy "Barnyard," has one thing in common with his film's principal character, a happy-go-lucky cow named Otis (voiced by Kevin James): They both were adopted. The adoption plot line "organically happened" while he was writing the script for the film, which opens Friday. "I was halfway through the movie, and it was then I wrote an argument between Otis and his father, Ben dashboad confessional . I went, 'Oh, my God, I am writing a story about myself and my dad. ' ""Barnyard" tells the story of how Otis, the ultimate party animal, must step up and become an adult after Ben (Sam Elliott), the rock-steady bovine who makes sure the barnyard operates smoothly, is killed by coyotes. "Everyone has those moments when they have a decision to make," says Oedekerk dashboard stolen . "Who am I going to be and what will I do to define what I am?"The computer-animated film, which is being spun off as a weekly series for Nickelodeon, marks Oedekerk's debut as a feature animation director. Dashboard Confessional tickets The former stand-up comic has written such hit comedies as "Bruce Almighty," "Ace Ventura: Pet Detective" and "The Nutty Professor" and doubled as writer and director of "Ace Ventura: When Nature Calls" and "Nothing to Lose. "On the animation front, he received an Oscar nomination for producing "Jimmy Neutron: Boy Genius," which he co-wrote, and created short film spoofs starring animated thumbs. "If you look at everything I've done, it's very eclectic," he offers "I tend to get bored with things very quickly dashboard lyrics . I will definitely never be the guy who does the same movie six times in a row. ""Barnyard" took three years to make at Oedekerk's Omation Studios in San Clemente. Oedekerk's mandate to the film's production designer was to create characters with simple lines. "That is probably from my personal love of original classic animation," he says. "For me, the fun twist was let's make it feel like it's real So it's textured really authentically and it's lit well. It feels like a real place, but more like a living storybook. "-- Susan King.

SAN FRANCISCO — Matthew Barney's "Cremaster Cycle," a quintet of films and related photographs, sculptures and paraphernalia produced from 1994 to 2002, took viewers from the Isle of Man to Boise, Idaho; Vienna to the Bonneville Salt Flats and finally to New York dashboard confessional album . There, the Guggenheim Museum became a location for the final film and the site of a 2002-03 exhibition surveying the whole cycle -- an investigation of artistic ambition and the intertwinings of sex, commerce, politics, power, mysticism, dysfunction, ingenuity, redemption, metamorphosis and Western history, all orbiting Barney's core theme of creation and transformation in the face of resistance. Barney's devotion to the theme goes back to 1988, when he was a student at Yale and began the "Drawing Restraint" series, which "Cremaster" sidelined and eclipsed dashboard confessional juli . If you saw the spectacle he made of the Guggenheim, it might be difficult to believe, but he has topped it at the San Francisco Museum of Modern Art dashboard confession . Here, "Matthew Barney: Drawing Restraint," organized jointly by the 21st Century Museum of Contemporary Art in Kanazawa, Japan, and the Leeum, Samsung Museum of Art in Seoul, Korea, surveys the "Drawing Restraint" projects and reveals Barney as more ambitious than ever and delivering stronger, more resolved work SFMOMA is the only U Dashboard Confessional . S venue for the exhibition, which continues through Sept dashboard confessions . 17 ( sfmoma. org). The weak link in "Cremaster" was the relationship between the films and objects Dashboard Confessional - myspace . The latter often depended heavily on the films and seemed produced from a priority list that put set dressing and souvenir production above making compelling sculpture Dashboard Confessional - dashboardconfessional . Meanwhile, the lesser of the films were little more than extended records of Barney and his cohorts self-indulgently playing around with the props. Only two installments, the second and fourth "Cremaster," offered both compelling sculptures and films that maintained engaging narratives while revolving around objects; watching them was as much a sculptural experience as a cinematic one.

Barney's latest film, "Drawing Restraint 9," and the related sculptures at the core of the SFMOMA exhibition succeed as his best previous work did and go well beyond it. Although much of Barney's work has taken a theatrical and cinematic turn, its roots are in documenting an engagement among bodies, objects, materials and circumstances. On view at SFMOMA are early videotaped performances in which Barney made drawings on walls and ceilings while dangling from ropes, jumping on trampolines or clinging to handholds and footholds that made his task both possible and difficult. These events leverage the artist's intent, will and skill against the physical limits of body, space, substance and form dashboard confessional stolen . They descend from the same literalist's fascination with movement, media and product, fused with spectacle, that runs through American action painting, European Nouveau Realisme, Japan's Gutai group, and post-minimalist investigations of performance and sculpture dahsboard confessional . These include Gordon Matta-Clark's alterations of architecture, Barry Le Va's self-punishing pairing of his own insistent force and the immovability of walls, Robert Smithson's pouring and piling of raw material, and Richard Serra's flinging of molten lead into the junction of a floor and wall to create a solidified object referring to nothing more than process, material properties and situation. Although some predecessors eschewed reference or narrative, Barney wraps even the most abstract gestures and investigations in cultural references, jockish athleticism and sexed-up confrontationalism dashborad confessional . He seems to channel Lynda Benglis and Robert Morris in a new performance video in which he dons a Douglas MacArthur costume and puffs a corncob pipe before climbing his way across SFMOMA's rotunda to make a drawing dashboard dusk and summer . Barney capitalizes on the architecture, as the museum's crossed round windows and chevron-patterned skylight take on military connotations. Barney doesn't try to hide his indebtedness or to cash in on others' investments. Instead he pays off, taking what he's learned and remaking it at a new level. Nowhere is this more evident than with the sculptures dominating the museum's fourth floor.

Carefully fabricated while unabashedly messy, formal and formless, they deal in the simple literalism of trying to bind, contain, divide, combine and solidify materials -- principally hundreds of gallons of petroleum jelly formed into masses, and casts of such masses . Awe-inspiring in mass and form alone, the works are charged with symbolism: a collapsed ramp; a gelatinous mass that has fallen like a giant souffle, its ooze held back by rectangular plates that divided it like walls; or a loaf-like object made largely of shrimp shells and seashells that simulates ambergris and is bigger than you and me. The sculptures relate directly to the film, which is the second of Barney's attempts to take "Drawing Restraint" in a more heavily theatrical direction dashboard vindicated . It is the tale of a groom and bride, played by Barney and his real-life partner, pop star Bjork, who bear what seem to be vestigial genital orifices on the backs of their necks dashboard guitar tab . On a Japanese whaling ship, they go through preparation rituals as crewmen equipped with a giant mold cast a petroleum jelly aspic in the form of Barney's "field" emblem -- a lozenge-like shape crossed through with a bar . When a mass of ambergris discovered by pearl divers is delivered to the ship, the bar section is cut from the aspic and replaced with the mass. When the mold is pulled, the cast petroleum jelly shows markings suggesting the curvature of a ship's bow and the throat grooves on a whale The aspic slumps, gets carved up and is melted. The liquid floods a tearoom, where the bride and groom hack away on one another's bodies, releasing inner sea-mammal forms that, after inaugurating their blowholes, escape together into the sea.